{"id":129,"date":"2026-09-15T15:52:44","date_gmt":"2026-09-15T15:52:44","guid":{"rendered":"https:\/\/damiantoro.com\/?page_id=129"},"modified":"2026-09-26T14:25:31","modified_gmt":"2026-09-26T14:25:31","slug":"automaton","status":"publish","type":"page","link":"https:\/\/damiantoro.com\/es\/automaton\/","title":{"rendered":"AUTOMATON"},"content":{"rendered":"
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AUTOMATON<\/h2>\n\t\t
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20 de febrero de 1999
Quito, Ecuador<\/p>\n\t\t\n<\/div>\n\n<\/div>\n

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Ubicaci\u00f3n: Asociaci\u00f3n Humboldt de Quito<\/p>\n\t\t\n<\/div>\n\n<\/div>\n

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Este performance es tambi\u00e9n un modelo experimental de interpretaci\u00f3n po\u00e9tica. El d\u00eda de esta acci\u00f3n tambi\u00e9n se present\u00f3 el libro de poes\u00eda titulado \u201cAut\u00f3maton\u201d. La acci\u00f3n es entonces un desplazamiento de la palabra escrita y es, en cierta medida, poes\u00eda puesta en acci\u00f3n.

El performance se desarroll\u00f3 en un espacio alternativo que anteriormente era utilizado como teatro. La instalaci\u00f3n estaba constituida por los siguientes elementos: velas, un muro de bloques de concreto, un laberinto tambi\u00e9n realizado con bloques, tres estaciones de computador que mostraban frases e im\u00e1genes de manera constante. La acci\u00f3n implic\u00f3 tambi\u00e9n la distribuci\u00f3n de pedazos de hierro al p\u00fablico.

La secuencia comienza con la int\u00e9rprete Elizabeth Vinueza quien se mueve por el laberinto casi mec\u00e1nicamente, hasta que llama a alguien del p\u00fablico para que ingrese al escenario y sea parte de la acci\u00f3n. Una vez que esto sucede, el actor principal circula por el lugar en diferentes actitudes realizando movimientos, interactuando con el p\u00fablico, etc. Cuando las luces principales se apagan el performer Dami\u00e1n Toro comienza a destrozar la pared de bloques con una barra de hierro. Al completar esta acci\u00f3n destructiva abandona el lugar y el performance concluye.

Performers: Dami\u00e1n Toro, Elizabeth Vinueza
Video: Olvia Hidalgo<\/p>\n\t\t\n<\/div>\n

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AUTOMATON February 20, 1999Quito, Ecuador Location: Humboldt Association, Quito This performance also serves as an experimental model of poetic interpretation. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"","ast-site-content-layout":"full-width-container","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-129","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/damiantoro.com\/es\/wp-json\/wp\/v2\/pages\/129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/damiantoro.com\/es\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/damiantoro.com\/es\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/damiantoro.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/damiantoro.com\/es\/wp-json\/wp\/v2\/comments?post=129"}],"version-history":[{"count":57,"href":"https:\/\/damiantoro.com\/es\/wp-json\/wp\/v2\/pages\/129\/revisions"}],"predecessor-version":[{"id":4139,"href":"https:\/\/damiantoro.com\/es\/wp-json\/wp\/v2\/pages\/129\/revisions\/4139"}],"wp:attachment":[{"href":"https:\/\/damiantoro.com\/es\/wp-json\/wp\/v2\/media?parent=129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}